The Fine Line
The Fine Line, 2018
In parts/to gather
In parts/to gather, 2018
OP SHA!
OP SHA!, 2017



Close
The Little Match Girl
The Little Match Girl, 2016
Overture to a prelude
Overture to a prelude, 2016
Time Curves
Time Curves, 2016
Alpha-Omega
Alpha-Omega, 2015
... with the lights on
... with the lights on, 2015
Kammerspiel
Kammerspiel, 2014
Here on End
Here on End, 2014
The Four Seasons
The Four Seasons, 2013
Othello
Othello, 2013
I'm with the band
I'm with the band, 2011
Romeo and Juliet
Romeo and Juliet, 2011
Film noir
Film noir, 2010
We will …
We will …, 2009
Face to Face
Face to Face, 2009
Full Bloom
Full Bloom, 2009
MA/NY for the love of it …
MA/NY for the love of it …, 2009
Landscape No. 5
Landscape No. 5, 2009
Hamlet
Hamlet, 2008
From All to One
From All to One, 2008
Delta Blues
Delta Blues, 2007
Blumen, die Menschen, nur Blumen
Blumen, die Menschen, nur Blumen, 2007
TanzTon/Strom/TonTanz (Fragmented Journeys)
TanzTon/Strom/TonTanz (Fragmented Journeys), 2006
eine stunde zehn
eine stunde zehn, 2006
Igor Poems
Igor Poems, 2004
Goldberg-Variations
Goldberg-Variations, 2004
Topographicallayers
Topographicallayers, 2004
BLOODGROOVE
BLOODGROOVE, 2003
No need to lead
No need to lead, 2003
Open Strings
Open Strings, 1996
More Works (1994-2012)
More Works (1994-2012)



Close

Kevin O'Day

Choreographer

The American Kevin O’Day was born in Phoenix, Arizona. In 2002 he was appointed artistic director of the Nationaltheater Mannheim Ballett, renamed Kevin O’Day Ballett NTM. From 2013 to 2016 he held the position of Ballett Intendant and Deputy Operating Manager.

As a choreographer, O’Day has produced more than sixty original ballets. He has been commissioned to create works for the New York City Ballet, Ballet British Columbia, Hubbard Street Dance Chicago, Les Grands Ballet Canadiens, Stuttgarter Ballett, Les Ballets de Monte Carlo, Pacific Northwest Ballet, Pennsylvania Ballet, Pittsburgh Ballet, Ballet Argentino, The Royal Danish Ballet, ProArteDanza, BalletX, Ballett im Revier, and Ballett Augsburg, among others.

O’Day received his early dance training at the Joffrey Ballet School in New York. After one year he joined the Joffrey II, and the following year, he became a member of the main company of the Joffrey Ballet. In the winter of 1984, O’Day began his long association with choreographer Twyla Tharp. From 1988 to 1991, he was a soloist with American Ballet Theatre, where he performed in a wide variety of featured roles both in the classical and contemporary repertoire.

In 1991 he joined William Forsythe’s Frankfurt Ballet, and from 1992 until 1995 he was a member of Mikhail Baryshnikov’s White Oak Dance Project. During that time he appeared frequently as a guest with the New York City Ballet. In 1994 Mikhail Baryshnikov invited O’Day to choreograph a new work for the White Oak Dance Project, marking his choreographic debut. In 1998 O’Day formed his own company, O’Day Dances, in collaboration with composer John King.

O’Day has been the recipient of numerous awards and nominations for his choreography. In 2000 he was nominated for an MTV video music award for best choreography in a video for So Pure by Alanis Morissette. Full Bloom, a piece choreographed by O’Day, Robert Glumbek and Luches Huddleston Jr., was nominated for the Canadian Dora Mavor Moore Award in 2010. In the same year O’Day was the first to be awarded the Koerner Award by the Canadian Banff Centre.




Close

Kevin O'Day








Enter

Kevin O'Day

Choreographies